Teachers can either screen the video in class or set this as an individual task ahead of in-class lesson.ġ. After watching the video, you can check their understanding with the following questions. Watch the video below by Singapore Chinese Orchestra, An Instrumental discovery of Chinese Orchestra Webisode 1. Through this video, students will gain a basic understanding of the beginnings of the Chinese orchestra and its instruments. listen to solo pieces for each of the instruments and discuss the salient features of selected piecesĪctivity 1: History of traditional Chinese music and the pentatonic scale in Chinese music.observe the performance techniques on the erhu, yangqin and pipa.identify the physical features of the erhu, yangqin and pipa.understand the pentatonic scale as a 5-tone scale, its characteristics and name of five tones.Gain an understanding of how traditional Chinese Music can evoke moods, emotions or imagery and can be based on a poem or storyīy the end of the lesson, students will be able to:.Be introduced to selected traditional Chinese solo pieces involving the three string instruments.Be introduced to three Chinese string instruments commonly found in the Chinese orchestra – erhu, yangqin, pipa.Understand the use of pentatonic scale in traditional Chinese music.Gain an appreciation of traditional Chinese music.The 22-inch scale length of the qinqin makes it comparable to the tenor banjo.Note to educators: Lesson will exceed the recommended time if the optional activities are carried out This method is often used with other floating bridge instruments like banjos, stick dulcimers and cigar box guitars. Doing this for all three strings will usually result in a slight tilt to the bridge with the bass string maybe 1 or 2 mm longer than the treble string. The bridge position should be slightly adjusted so the note produced is "spot on" (but an octave different) at both open string and stopped at fret 7. A more precise location can be determined by using a digital tuner and comparing the notes produced on each string, first the open string, and then fretted at the 7th fret. This means the bridge will be located about 60% across the drum head, or 40% before the tail end of the drum head. ![]() Since the distance between the nut and the 7th fret is about 11 inches, the bridge should be located about 22 inches from the nut. The 7th fret on the qinqin is an octave higher than open string. The approximate bridge position of the "floating" (movable) bridge on the qinqin can be easily calculated by doubling the distance between the nut and the 7th fret. As a result, many of the notes appear to Western listeners to be off (either sharp or flat) by about a quarter tone (half a semitone). Unlike the pipa (and some other Chinese instruments), the fretboards of most models of qinqins have not been modernized to support the 12TET standard. The fret spacing used on the qinqin is not the same as on Western instruments such as the guitar or banjo, so the notes do not correspond to the 12TET (12-tone equal temperament) system. ![]() The modern version also usually comes with three strings. The modern version also closely resembles a banjo in that its body shape is usually round and includes a drum head made most often of sheep skin or python skin. There are two varieties of qinqins in modern China: the "traditional" version, characterized by "tall" Chinese-style frets (see photo), and the "modern" version, which uses fret wire instead. ![]() This allows for a greater control over timbre and intonation than their western counterparts, but makes chordal playing more difficult. The frets on all Chinese lutes are high so that the fingers never touch the fretboard itself-distinctively different from western fretted instruments. A similar instrument, the two-stringed đàn sến, has been adapted from the qinqin for use in the traditional music of southern Vietnam. The qinqin is particularly popular in southern China: in Guangdong, Hong Kong and Macau. photo In its hexagonal form (with rounded sides), it is also referred to as meihuaqin (梅花琴, literally " plum blossom instrument"). Often, only two strings were used, as in certain regional silk-and-bamboo ensembles. photo 1 Its body can be round, photo hexagonal (with rounded sides), or octagonal. It was originally manufactured with a wooden body, a slender fretted neck, and three strings. The qinqin ( 秦 琴 pinyin: qínqín Vietnamese: Đàn sến ) is a plucked Chinese lute.
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